Showing posts with label Libby Malin. Show all posts
Showing posts with label Libby Malin. Show all posts

Tuesday, February 14, 2012

Tested Every Day

by Libby Sternberg

 
A recent Tom Friedman column found its way into my Facebook newsfeed, like a piece of newspaper  floating down a rapidly moving river, appearing several times as various "friends" posted it. The upshot of the column is that we need another political party in the U.S., something to replace that intransigent Republican group that is so riven by special interest strife, it can't compromise on the important issues of the day.

 
First, let me say how refreshing it was to read Mr. Friedman arguing to keep at least two parties in our system. Lately, he seems to be besotted with love for the one-party rule of China.

 
That aside, what struck me about his argument was how easy it was to turn it on its head. Every sin he accused Republicans of could be found equally and obviously in the Democratic soul, as well. In fact, I did a little Bizarro World editing of Mr. Friedman's main point and came up with a paragraph listing the Democratic special interests--everything from abortion rights zealots to union leader stalwarts to Progressives who want to chuck capitalism altogether--that keep Democrats from compromising.

 
And then I asked myself: why can't my liberal FB friends see this obvious flaw in Friedman's piece?  They're not stupid people. The ones who posted his column are smart, some with positions in universities, certainly all people who care deeply about the country.

All they had to do was flip the argument around to one where their "team" was on the receiving end of the criticism and ask themselves if it's true in this instance, too. If so, then is the critic's original point still valid or is there a deeper story here?

 
In the case of this Friedman column, you'd have to come up with a mountain of "yeah, but" qualifiers to make the switch invalid, to prove that Democrats weren't equally or more guilty of lack of compromise. Maybe a steaming mountain of caveats, if you get my drift.

 
But Friedman's column isn't the only one that's easily debunked. There are a whole swarm of Facebook pictures, slogans, petitions...whatever--usually traced back to some arm of Moveon.org and George Soros's money--that these friends regularly grab on to and repost without much thought, it seems to me, given to the underlying issue. They become rapidly moved by what I call the Outrage Industry, rushing to nail to the Facebook church door their angry complaints. (The Outrage Industry, by the way, doesn't necessarily have to have an impact on a particular issue to be successful. I'm sure their own coffers swell whenever they get followers het up about something.)

 
So, again, my question is: why do these bright liberal friends thunder, herdlike, off to "like" whatever this Outrage Industry spews forth?

 
Well, my theory is: they're not used to having their ideas challenged. Oh, I know, I know. How can I make such a sweeping generalization? Surely some of them are used to challenges to their beliefs? Maybe. But, if they live in the same world I do, probably rarely.

 
You see, conservatives, even center-right gals or guys, have their views challenged from sunup to sundown. From the moment you flip on the morning TV, you're seeing some newscaster repeat a Democratic talking point or simply not covering stories that are critical of Democrats or liberals.

 
How about these recent examples:

 
  • The mainstream media's coverage of the Occupy movement versus Tea Party demonstrations: the former was treated as a grassroots protest of value, the latter as surly, gun-loving racists with sinister motives.

  • The lack of expansive mainstream media coverage of two big administration scandals: the failure of several green energy companies funded by stimulus money despite warnings from experts; and the Fast and Furious gun scandal where Attorney General Eric Holder has given conflicting accounts to Congress.

  • The absence of setting the record straight when the president blamed Republicans during difficult policy battles--when his party, not Republicans, controlled Congress.

  • The double standard on sex scandals: Democratic presidential candidate John Edwards's affair was only dragged into the mainstream media when the National Enquirer outed the story, while presidential candidate Herman Cain's alleged sexual harassment of women was given Watergate-like coverage in the mainstream media with conflicting and thin backup for evidence.

  • And, just this morning, Mika Brzezinski's slavish adoration of the president's just-released budget. (She proudly displayed a lipstick bedecked copy of the budget on MSNBC's Morning Joe. Way to go, Mika. You set women journalists back a few decades with that stunt, even if you do work for a network that leans forward left).

 


 
The one exception to this kind of coverage is Fox News, of course. But it's the ONE exception. And if some liberals had their way, it would be put out of business. Fox isn't perfect. I know that. But at least they will cover stories that challenge the liberal outlook.

 
Even if you're not a news junkie, your conservative ideas are still put to the test when you flip on television during prime time. There you're treated to a parade of stories, dramatic and comedic, that often portray the villain/buffoon as a conservative-minded homophobic, gun-loving, woman-hating, Muslim-despising, evangelical preacher/Wall Street financier/white father/deranged Iraq war veteran (Law & Order has about a million variations on that plot).

 
So at the end of the day, if you're a conservative, you're pretty used to having your worldview gobsmacked a couple dozen times or more. And if you're thoughtful, you...well, think about it. You ask yourself: is that true? Are those thoughts and ideas real and valid? You're tested, in other words, and you learn to look more deeply into what the news industry, Hollywood, or the Outrage Industry floats in front of you.

By the way, you don't turn off that analysis when you encounter ideas that jibe with what's already in your ideological wheelhouse. You still ask yourself if the ideas are true, if there's a counter argument that's valid. (For a good example of lively conservative discussion and debate, not always in agreement, read the National Review's blog The Corner.)

 
I'm sorry, liberal buddies. I don't think you face that same test every day. And sometimes, on Facebook, at least, it shows.
__________

 
Libby Sternberg is a novelist. Her website is here.

 

Monday, August 29, 2011

If I Were Interviewed by Chris Matthews

by Libby ...Somebody

So, in addition to having opinions, I also have...novels. I'm published in young adult mystery (where I earned an Edgar nomination) and women's fiction. My latest, a comedic novel available for Kindle, Nook and other e-readers, is part romance, part satire of the Ivory Tower, and I'm shamelessly trying to promote it now. 

Every author dreams of sales jump-started by attention from a television or print interview. Here's my nightmare dream of one such TV host talking to me about my latest release:

An interview with Libby Malin, about her new comedy, AEFLE AND GISELA, as if conducted by Chris Matthews on his MSNBC show, Hardball:



Okay, what’s the title of this book about? I mean, AEFLE AND GISELA. How do you even pronounce that?
Ay-fool and Jih-zel-lah is how I would pronounce—

So it’s kind of German, huh? You wrote this thing because you think all academics are Nazis, is that what you’re saying?
No, not at all. I just thought the academic setting, which should be the epitome of open-mindedness, would be perfect for a book that explores an issue like conformity and the pressures that—

Didn’t you hope to upset so-called “liberal elites” with this book?
Well, I’d hoped to spur discussion about conformity and other—

Yes or no—didn’t you just want to stick it to liberal academics?
Actually, I wanted to tell a funny story and also perhaps demonstrate that the pressure to conform occurs everywhere, even—

I’m not interested in your talking points. Okay, let’s try another one—Weren’t you trying to make these professors look like bozos? Isn’t the leading character, this Tommy fellow, a bozo?
Thomas is trying to learn what true courage is.

I mean, here you have this guy, this Tommy—
Charlemagne. Thomas Charlemagne.

--Okay, let's look at this. He's a professor. Medieval history or something. And he wonders if wandering into a Patriot Day celebration by mistake might torpedo his tenure quest? Is that what you really think of college professors—that they're small-minded morons?
Well, there have been instances of conservative speakers shouted off of campuses and…

Sure, sure. Talking points again. But isn’t this Tommy something of a caricature?
Well, yes, the book does creep into caricature territory. It’s a satire, after all.

Okay, satire. Whatever. But you were trying to make some pretty strong political statements here, weren’t you? I mean, you have one of the women—the gender studies professor, I think it was—
Women’s Studies.

You have her wearing a keffiyeh, I think it’s called, I had to look that one up—
Yes, the emblematic scarf associated with the Palestinian struggle.

And you make her out to be a very ugly—I mean not in a physical way, I’m not saying women’s studies professors are ugly, for God’s sake, but you have her ugly in outlook, how she acts—very petty, very passive-aggressive. So you’re kind of saying, aren’t you, that people who support that cause are like her?
I’m writing comedy. I think the reference to her wearing that scarf was extremely peripheral, very tangential.

So you’re saying it had no meaning whatsoever?
No, it does reflect her sympathies, but—

Oh, I see what you’re doing here. Very clever. Very sneaky. You think you can put this angry women’s studies professor in a keffiyeh and just shrug it off, just say, oh, it didn’t mean anything. My fingers just slipped when I was typing that. I get it.
No, I don’t think you do.

And when you say “tangential,” are you trying to make fun of me?
What?

You know, the thrill up the leg thing. You righties all do it. Go ahead, go ahead, I can take it. They all come on this show and mention it. But they say “tingle.” I didn’t say “tingle” up the leg, by the way, but go ahead and say it. It’s part of the right’s talking points.
Well, you did say you got a thrill up the leg when the president spoke—

Uh-huh, that’s right, that’s right. Say it. You all do when you come on the show. Thrill, not tingle. At least you got that right. Are you a racist?
What?”

All you conservatives, you have a thing against the president, don’t you, because he’s African-American?
No, I don’t. What on earth does that have to do with my book?

Well, you’re kind of pushing a conservative agenda here, aren’t you? Isn’t this book—how do you say it, AEFLE AND GISELA, yeah, AEFLE AND GISELA—isn’t it really about the struggle of right versus left on American campuses?
It’s really about the struggle of conformity versus open-mindedness that happens to take place on an American college campus.

Sure. I get you. Do you think Michelle Bachmann is open-minded? Yes or no. You obviously have thought a lot about this subject. Yes or no—is Michelle Bachmann open-minded?
I really don’t know.

Are you hypnotized?
You mean like you said Michelle Bachmann was…

Yes or no, is Michelle Bachmann open-minded—is she one of these open-minded folks you want us to think are conservatives?
The book’s not about her. I obviously don’t think about her as much as you do.

Sure, you haven’t thought about her. Yeah, I have a bridge to sell you, too.  Well, I guess we’re out of time. And I guess if people want to read your book, AEFLE AND GISELA, they will buy it.
Let’s hope so. And maybe other books by me, too. You can find them at my website: www.LibbySternberg.com
 ________

If you have an open mind and want a laugh, you can find Aefle & Gisela available for Kindle, Nook and other e-readers. It tells the story of history professor Thomas Charlemagne as he attempts to shed the "Timid Tommy" reputation of his past by stopping a wedding on a dare. When it turns out to be the wrong wedding, legal problems ensue that could wreck his career as the world's leading expert on a poetry-writing medieval monk, Aefle, and his secret love, Gisela.

Some praise for Libby Malin's other comedic novels:
  • Booklist -- Malin creates a world of wit and chaos that is …smart and insightfully written (My Own Personal Soap Opera)
  • Publishers Weekly -- Malin's latest is heavy on humor… (she) coaxes plenty of laughs (My Own Personal Soap Opera).  
  • Jo-Anne Greene Lancaster Sunday News -- Fire Me ...had this reader chuckling out loud.
  • Washington Post -- The love story is charming and will be appreciated by any woman with bad taste in men who somehow inexplicably ends up with Mr. Right. (Loves Me, Loves Me Not) 
  • Publishers Weekly --  A whimsical look at the vagaries of dating... an intriguing side plot adds punch and pathos to the story...(Loves Me, Loves Me Not) 
  • Booklist -- Malin's clever debut toys with chick-lit stereotypes and offers quite a few surprises along the way. (Loves Me, Loves Me Not)